Monsters Of Men is the
concluding book in Patrick Ness' fast-paced, edgy, ambitious Chaos Walking
trilogy, and concludes the series at a suitably breathless, breakneck,
page-turning pace.
Ness introduces us to the odd but utterly believable
Chaos Walking world in Book One, The Knife Of Never Letting Go, by
narrating the book entirely through the eyes of wide-eyed innocent Todd, born
on the Chaos world but compelled never to have left his home town of
Prentisstown through propaganda and fear led by the town's evil Mayor, the main
- but certainly not the only - villain of the series. The Chaos world
hinges on the unusual phenomenon of the 'Noise' - the thoughts of all men are
broadcast out loud to everyone in a constant, blaring, screeching mess of colour
and confusion.
In Book Two, The Ask And The Answer, we
switch viewpoints between Todd and Viola, Todd's female counterpart from the
first book and the catalyst for Todd's ventures into the world beyond
Prentisstown. As the Mayor encroaches upon and then overtakes the world's
default capital 'city', Haven, we witness increasingly devastating events
though the eyes of Todd and Viola, who are used by The Mayor and resistance
leader Mistress Coyle respectively as pawns in an ongoing battle that often reads
as much as a war between two powerful egos as it does between two distinct
ideologies.
Monsters Of Men sees Ness
introduce a third voice into the mix, 1017, one of the native Spackle species
of the planet who had waged a bitter war with the incoming human race several
years previously and who harbours an all-consuming hatred and bitterness
towards Todd after events from the previous book. As the Spackle begin their
own attack on both sides of the human battle, Ness piles on layer upon layer of
suspense, action and cliffhangers as the trilogy hurtles towards a conclusion
that manages to be satisfying, hopeful and heart-breaking all at once.
What makes all three books so remarkable is the
amount of themes and philosophy Ness manages to bring in without it ever
eclipsing the constant forward thrust of the plot. Chaos Walking is a
series written in a frenetic style and designed to be read as such, yet even as
I pelted through the pages desperate to find out what happened next, I picked
up on big themes such as the futility and destruction of war and its
consequences, the conflicting and sometimes cruel decisions made by leaders at
times of crisis, the seeming impossibility of maintaining peace alongside
individual desire for power, the question of what constitutes the 'bad' side
when the actions of war inflict atrocities upon the innocent regardless, and a
whole heap of other things beside. Our loyalties shift and twist and change
throughout; Ness pulls off the almost impossible trick of making all this work
- and work towards the progression of the overall story - while always keeping
our main focus and interest on the heroic centre of Todd and Viola. Todd and
Viola are the moral centre of the story that all the other plot points stretch
from; Ness is pulling off a frantic act of plate-spinning, juggling and
surprising his readers and it is to his credit as a writer that he doesn't let
any of the threads or themes slip once.
Chaos
Walking is far more than a straight forward action trilogy
based around the high-concept gimmick of the Noise. Its plot and themes are as
involving, deep and morally complex as any trilogy intended for an 'older'
audience. It is no less than the best series of young adult books since Philip
Pullman's His Dark Materials, and deserves to be discovered and enjoyed
by adult readers just as much as that trilogy was.
Chaos Walking is the
crowning achievement of a tremendously skilled and gifted author. If Ness does
ever manage to top it, there will be no question he won't just be the best
young adult writer of his generation, but one of the best of all time.
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